Archive

2025
GESAMPELTE GESTALTEN, Kunstverein Gera, Gera, DE
XCHANGE, Schloss Köthen, Köthen, DE
ALTER. Grafik aus fünf Jahrhunderten, Augustinermuseum, Freiburg i. B., DE
OUR VOICES, Wilhelm-Hack-Museum, Ludwigshafen, DE
Venus Rebellion, Deutscher Künstlerbund Berlin e.V., Berlin, DE
THE STORY THAT NEVER ENDS, ZKM, Karlsruhe, DE
STAND UP. Feminist Avant-garde, Staatsgalerie, Stuttgart, DE
CHIPS & FLIPS, Galerie Richter & Wallis, Hamburg, DE
WE. The body as a sign, Kunstmuseum Mühlheim an der Ruhr, DE
STAGE, Galerie Bachlechner, Bregenz, AT
ARCO Madrid, Galerie Anita Beckers, Madrid, ES
A NEW LOOK AT PHOTO HISTORY: Treasures from the Solander Collection, Photographic Center Northwest, Seattle, USA
ACTS OF CREATION: ON ART AND MOTHERHOOD, Dundee Contemporary Arts, Dundee, UK

2024
Paris Photo 2024, Galerie Anita Beckers, Paris, FR
PHOTOGRAPHIE EN POINTURE, c|e contemporary, Milan, IT
ACTS OF CREATION: ON ART AND MOTHERHOOD, Millennium Gallery, Sheffield, UK
MOTHER, Galerie Gisela Clement, Bonn, DE
4-3-2-1 DARMSTADT, Institut Mathildenhöhe, Darmstadt, DE
Art Vienna, Galerie Bachlechner, Orangerie Schönbrunn, Vienna, AT
GROW IT, SHOW IT, Museum Folkwang, Essen, DE
HAMBURG MEETS CHANGWON, Polarraum, Hamburg, DE
FOTOGRAFINNEN UND FILMEXPERIMENT, Kurzfilmfestival, Deutsches Filmmuseum, Frankfurt am Main, DE
IKON/IKONE/KULTBILD, Darmstädter Sezession, Designhaus, Darmstadt, DE
ACTS OF CREATION: ON ART AND MOTHERHOOD, Midlands Arts Centre, Birmingham, UK
PHOTO BASEL 2024, Galerie Anita Beckers, Volkshaus Basel, Basel, CH
KOLLAGIERT, AUCH OHNE LEIM, Stiftung Schlosshof Bodenburg, Bad Salzdetfurth, DE
STADT DER FOTOGRAFINNEN, Historisches Museum, Frankfurt am Main, DE
20 JAHRE SAMMLUNG VERBUND, Albertina, Wien, AT
ACTS OF CREATION: ON ART AND MOTHERHOOD, Arnolfini, Bristol, UK
PROGRAMM, Galerie Bachlechner, Graz, AT

2023
PARIS PHOTO 2023, Galerie Anita Beckers, Grand Palais Éphémère, Paris, FR
SELF ON STAGE, Galerie Anita Beckers, Frankfurt am Main, DE
KOCHEN PUTZEN SORGEN, Josef Albers Museum, Bottrop, DE
HH_CHANGWON, Gyeongnam Art Museum, Changwon-si, KR
TOD BROWNING’S ARTCLUB – EPISODE 1, Ku’damm Berlin, Berlin, DE
XCHANGE, Salle Jacky Vauclair, Clamart (Paris), FR
ART VIENNA, Galerie Bachlechner, Orangerie Schönbrunn, Vienna, AT
FUTUR VII – THE FESTIVAL FOR PERFORMANCE AND FILM, Open Air Strandkorb-Kino Övelgönne, Hamburg, DE
VIENNACONTEMPORARY 2023, Galerie Anita Beckers, Kursalon Vienna, AT
VERMEER CONTEMPORARY, CSR.ART by DEEDS.LAB, Berlin, DE
ZWISCHEN NADEL, FADEN, FILZ UND WEBSTUHL, Galerie Netuschil, Darmstadt, DE
PAPIER & KLANG, Haus des Papiers, Berlin, DE
MATTER, NON-MATTER, ANTI-MATTER. Past Exhibitions as Digital Experiences, Centre Pompidou, Paris, FR
HIER BIN ICH – Künstlerinnenselbstporträt, Kunsthalle Emden, Emden, DE
OUTSIDE, LOOKING IN, Richard Saltoun, London, UK
ANGST – Krisenindikator oder Überlebenstrieb? Künstlerverein WALKMÜHLE e.V., Wiesbaden, DE
LUISA CATUCCI GALLERY MATRIXIAL SPACES, Berlin, DE
ACTION, GESTURE, PERFORMANCE: FEMINISM, THE BODY AND ABSTRACTION, Whitechapel Gallery, London, UK
MIRROR OF SELF, Hangar – Photo Art Center, Brussels, BE
ARTGENÈVE, Palexpo SA, Le Grand-Saconnex, CH

2022
MATTER, NON-MATTER, ANTI-MATTER. Past Exhibitions as Digital Experiences. ZKM, Karlsruhe, DE
I THOUGHT I WAS AN ALIEN, POLARRAUM Hamburg
PARIS PHOTO 2022, BECKERS + KORNFELD, Grand Palais Ephémère, Paris, FR
AN ALTERNATIVE HISTORY OF PHOTOGRAPHY, Works from the Solander Collection, London, UK
KIND ALS PINSEL – Kunst machen, Mutter sein, Galerie Obrist, Essen, DE
KÖRPERBILDER: Intimimacy – Deconstruction – Interaction, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, DE
VENEDIGSCHE STERNE, Kunstmuseum Chur, Chur, Switzerland (C)
A FEMINIST AVANT-GARDE, Les Rencontres D’arles, Arles, France (C)
ENTANGLED, Dorothée Nilsson Gallery Berlin, Berlin, Germany
REBELDES – Laboratorio Experimental de prácticas artísticas feministas, Museo de la Memoria y los Derechos Humanos, Santiago, CL
HEROINES-HELDINNEN, Museum of Contemporary Art Vojvodina, Novi Sad, RS
ICH=ICH?, Akademie der Diözese Rottenburg-Stuttgart, Stuttgart DE
X-Chance, Visual Arts Centre, Scunthorpe DN15 6TB, North Lincolnshire, GB
NO WAR! PROJECTSPACE ROME, Roma, IT
FOTO WIEN, Festivalzentrale: Atelier Augarten, Vienna, Austria
WIR SIND! Frauenmuseum, Bonn, DE
New Arrivals | From Salvador Dalí to Jenny Saville, Scottish National Gallery of Modern Art, Edinburgh, GB

2021
IN THE NOW: GENDER AND NATION IN EUROPE, LACMA Los Angeles County Museum of Art, Los Angeles, USA
ONE ARTIST – ONE MINUTE – 40 Jahre Fotohof, Stadtgalerie Lehen, Salzburg, AT
NEW WORKS IN THE COLLECTION – from Abramović to Warhol, Louisiana Museum of Modern Art, Humlebæk, DK
TRAVELLING WITHOUT A TICKET, Galerie im Körnerpark, Berlin, Germany
BIRTH CULTURES, Museo della Donne Merano, Meran – South Tyrol, IT
LUXEMBOURG ART WEEK, Galerie Obrist, Luxembourg, LU
PARIS PHOTO, Galerie Anita Beckers, Paris, FR
FRAUENKÖRPER, Kurpfälzisches Museum Heidelberg, Heidelberg, Germany (C)
MUTTER!, Kunsthalle Mannheim, Mannheim, Germany (C)
FEMALE SENSIBILITY, Lentos Museum, Linz, AT (C)
COSMOSCOW INTERNATIONAL, Cosmoscow, Moskau, RU
BODY ECSTATIC BODY ECLECTIC BODY ECCENTRIC, Ulay Foundation, Ljubljana, SI
POSITIONS BERLIN ART FAIR, Galerie Anita Beckers, Berlin, Germany
PHOTO LONDON 2021, Richard Saltoun, London, UK
SOMMERAUSSTELLUNG 2, Galerie Heimo Bachlechner, Graz, AT
BIRTHCULTURE, Frauenmuseum Hittisau, AT
MISTRESSES OF TEXTILE, Masterpiece Art Fair, Richard Saltoun Gallery, London, UK
ICH KANN NICHT ABSTRAKT Self-portraits of female painters from the collection Peter Engel, Reinbek, Germany
BILDENDE PAPIERKUNST (Fine paper art), Haus des Papiers, Berlin, Germany
NÄHE #1 #2 #3 Exhibition series „NÄHE“ (Closeness), Galerie Obrist, Essen, Germany (C)
imPERFEKT, MEWO Kunsthalle, Memmingen, Germany
MOTHER!, Louisiana Museum of Modern Art , Humlebæk, DK (C)

2020
FACES – TRACES, Galerie Gisela Clement, Bonn, Germany
PARIS WE MISS YOU, Galerie Kornfeld, Berlin & Galerie Anita Beckers, Atelier Frankfurt, Germany
SOUS LE FIL, Musée des Abattoirs, Toulouse, France
ART AUSTRIA, Vienna, Museumsquartier (Heimo Bachlechner Gallery), Austria
DREAMSONGS: from Medicine to Demons to Artificial Intelligence, Colnaghi Foundation, London UK
KIND! Zuckerbrot und Wunderland (CHILD!), Kloster Schussenried, Germany (C)
MONOCHROME, Haleh Gallery, Berg am Starnberger See, Germany
THE RADICAL CLEANSING, Park Gallery, Moscow, Russia
BIRTH CULTURE – giving birth and being born, Frauenmuseum, Hittisau, Austria
XCHANGE, Contemporary Art from Lüneburg, Kunsthalle der Sparkassenstiftung, Lüneburg, Germany (C)
ARCO MADRID: Annegret Soltau l Peter Weibel ( Anita Beckers Gallery), Spain
MATERNALITY (curated by Catherine McCormack), Richard Saltoun Gallery, London UK

2019
MERRY CRISIS, Galerie Anita Beckers, Frankfurt, Germany
SCHAUPLATZ KÖRPER, Galerie Heimo Bachlechner, Graz, Austria
MATRESCENCE, Richard Saltoun Gallery, London UK
PARIS PHOTO, (Saltoun Gallery/Anita Beckers), France
FAMILY MATTERS, Dom Museum, Vienna, Austria (C)
SELBST / sichtbar (SELF / visible), 100 years of Darmstädter Secession, Arts Festival, Germany
L´AVANTGUARDA FEMINISTA DELS ANYS 70 – Obres de la VERBUND COLLECTION, CCCB Barcelona, Spain
CUT AND PASTE: 400 Years of Collage, Scottish National Gallery of Modern Art, Edinburgh GBR (C)
YOUR MIRROR: Portraits from the ICP Collection, ICP Museum, New York, USA
HAUPTSACHE KOPF, Kunsthalle Emden, Germany

2018
THE FEMINIST AVANTGARDE OF THE 1970S, Works from the VERBUND Collection, Brno House of Arts in Brünn, Czech Republic (C)
PARIS PHOTO, (Anita Beckers, Galerie / Richard Saltoun Gallery), France
ARTISSIMA ART FAIR, Turin, Italy (Richard Saltoun Gallery)
ONE MOMENT IN TIME, Galerie Anita Beckers, Frankfurt
ARCHIVES IN RESIDENCE, Haus der Kunst, Munich
ACCROCHAGE ZUM MEDIUM COLLAGE, AusstellungsHalle, Frankfurt
WOMAN – The Feminist Avant-Garde of the 1970s. Works from the SAMMLUNG VERBUND Collection, Stavanger Art Museum, Stavanger, Norway (C)
DALLAS ART FAIR, Dallas, Texas, USA (Richard Saltoun Gallery, London)
ART CENTRAL HONG KONG (Galerie Anita Beckers)
ARCOmadrid 2018 – International Contemporary Art Fair, Madrid, Spain (Galerie Anita Beckers)
WOMAN LOOK AT WOMAN, Richard Saltoun Gallery, London UK
INSIDE OUT – Photography and Psychology, DZ Kunstsammlung, Frankfurt a.M. (C)

2017
AGING PRIDE, Belvedere Museum, Vienna (C)
FEMINIST AVANT-GARDE of the 1970s
from the SAMMLUNG VERBUND Collection, ZKM | Zentrum für Kunst und Medien, Karlsruhe (C)
COLLABORATION – Zeitgenössische Kunst aus Lüneburg, Kunsthalle der Sparkassenstiftung Lüneburg
A POLYPHONIC ESSAY ON MEMORY, curated by Alexandra Ross, Gayle Meikle and Laura Leuzzi, commissioned by NEoN Digital Arts Festival and AHRC funded research project EWVA and REWIND Artists Video Archive, City of Dundee, Scotland
PARIS PHOTO, Grand Palais (Galerie Anita Beckers / Richard Saltoun Gallery) (C)
KUNST FÜR DIE KUNST (ART FOR ART), Kunsthalle Darmstadt (C)
RADICAL FEMINISM: Helena Almeida & Annegret Soltau, Richard Saltoun Gallery, FIAC Paris (C)
SILBERGLANZ – Von der Kunst des Alters, Landesmuseum Hannover (C)
WORKS ON PAPER AND PHOTOGRAPHY, Wopart Art Fair Lugano (Richard Saltoun Gallery, London UK)
NACHLESE II, Maurer-Zilioli Contemporary Art, Munich
COLLABORATION, Gallery Noorus, Tartu, Estland
ART BODENSEE, Dornbirn/A (Brouwer Edition)
DISTURBANCE, Kunsthalle der Sparkasse, Leipzig (C)
WOMAN THE FEMINIST AVANT-GARDE OF THE 1970S, Works from the Verbund Collection, MUMOK Museum Moderner Kunst, Vienna, Austria (C)
THE BODY AS LANGUAGE – WOMAN AND PERFORMANCE IN THE 70s / THE ARMORY SHOW, New York City, USA (Richard Saltoun Gallery, London UK)
ARCO – International Contemporary Art Fair, Madrid, Spanien (Galerie Anita Beckers, Frankfurt)
LIFE IN THE BUBBLE, Grundemark Nilsson Gallery, Berlin

2016
SELF / PORTRAITS – Relating Narratives (Video Screening), Visual Research Centre, Dundee Contemporary Arts
THE FEMINIST AVANT-GARDE OF THE 1970S, Works from the Verbund Collection, The Photographers Gallery, London UK (C)
CUTT CUTT, Kunsthalle Darmstadt (C)
HEAD-PORTRAIT-MASK, Galerie Netuschil, Darmstadt
PARALLEL VIENNA, Vienna/A (Polarraum für Kunst und Gegenwart, Hamburg)
MEDICINE IN ART, MOCAK – Museum of Contemporary Art, Krakow PL (C)
SUMMARY, Maurer Zilioli Contemporary Art, München
MEDIA ART FESTIVAL ROMA, MAXXI National Museum of the 21st Century Arts, Rom
INSIDE/OUT, Ausstellungshalle 1A, Frankfurt (C)
ARCO – International Contemporary Art Fair, Madrid, Spain (Anita Beckers, Frankfurt)
PRIÈRE DE TOUCHER – The Touch of Art, Museum Tinguely, Basel, Switzerland (C)

2015
FLASHBACK, Haleh Gallery, Berg/Starnberger See, Germany
RABENMÜTTER – Between Empowerment and Crisis: Images of Motherhood from 1900 to Today, LENTOS Kunstmuseum, Linz, Austria (C)
HER FIRST METEORITE, ROSEGALLERY , Santa Monica, USA
THE PHOTOGRAPHERS, KUK, Monschau
GENDER IN ART. MOCAK – Museum of Contemporary Art, Krakow, Poland (C)
WOMAN VIDEO WORKS. ZKM | Zentrum für Kunst und Medientechnologie, Karlsruhe
GENDER-CAMERA-PERFORMANCE. ZAMEK – Culture Center, Poznan, Poland (C)
THE FEMINIST AVANTGARDE IN THE 70s. Works from the SAMMLUNG VERBUND, Hamburger Kunsthalle, Hamburg (C)
ART CENTRAL HONG KONG. Courtesy Galerie Anita Beckers, Frankfurt
PERFORMING PORTRAITURE. Museum of Fine Arts, Boston, Gallery 264 (Collection of Manuel de Santaren)

2014
Festiwal Nowej Sztuki „LAbiRynT”, Słubice/PL, Frankfurt/Oder (C)
ART TORONTO. International Art Fair Toronto, Canada, Courtesy Gallery Anita Beckers, Frankfurt
TOUGH & TENDER, P8GALLERY – Cooperative Gallery for Contemporary Art, Tel Aviv, Israel (C)
WOMAN. Internationellt Feministiskt Avantgarde Från 1970-Talet Foto och Video från Sammlung Verbund, Mjellby Art Museum, Halmstad, Sweden
ART SOUTHAMPTON NY, USA, Courtesy Gallery Anita Beckers, Frankfurt
ARTEVIDA: CORPO [BODY], Fundação Casa França-Brasil, Rio de Janeiro, Brazil (C)
TRANSITION, Gallery Anita Beckers, Frankfurt
WOMAN. The Feminist Avant-Garde from the 1970s. Works from the SAMMLUNG VERBUND, Palais de Beaux Arts, Brussels, Belgium (C)
7 SEEN – seven artists of Haleh Gallery, Munich, Germany
FOTOGRAFIA CUCITA, Galleria Whitelabs it., Milano, Italia

2013
PULSE MIAMI ART FAIR, Miami, USA, Galerie Anita Beckers, Frankfurt
DREISSIG MAL DREISSIG No.2, Gallery Merkle, Stuttgart, Germany
ART.FAIR. Cologne, Haleh Gallery, Berg am Starnberger See, Germany (C)
SIE.SELBST.NACKT. (SHE.SELF.NUDE.) Paula Modersohn-Becker Museum, Bremen, Germany (C)
THE BODY AS CANVAS – THE PURSUIT OF PHYSICAL PERFECTION AS THE NEW SOCIAL SCULPTUR, Walkmühle, Wiesbaden, Germany (C)
WOMAN. THE FEMINIST AVANT-GARDE IN THE 70s. Works from the SAMMLUNG VERBUND, Círculo de Bellas Artes, Photoespaña 2013
SP-ART FAIR IN SÃO PAULO, Brasil, Galerie Anita Beckers, Frankfurt a.M.
FADEN – Von der Komplexität des Unscheinbaren (THREAD), Deutscher Künstlerbund Projektraum, Berlin

2012
SOLITARY BODIES, Maurer Zilioli Contemporary Arts, Brescia, Italy
FRANCIS BACON AND THE EXISTENCIAL CONDITION IN CONTEMPORARY ART, Centro di Cultura Contemporanea Strozzina Foundazione, Palazzo Strozzi, Firenze, Italy (C)
REVISITED, Galerie Christa Burger, Munich
SEEING ONESELF AT THE CASABLANCA BIENNALE, Marroko / Gallery Kai, Osaka, Japan (C)

2011
COLLAGE – ZERSTÜCKTE WELT (COLLAGE – THE WORLD IN PIECES), Gallery Netuschil, Darmstadt
DAS TEXTILE ALS MEDIUM DER ZEITGENÖSSISCHEN KUNST (TEXTILES AS A MEDIUM IN MODERN ART), Kunstarchiv Darmstadt
VOICE OF WOMEN, Haleh Gallery, Berg am Starnberger See

2010
DONNA: AVANGUARDIA FEMMINISTA NEGLI ANNI`70 dalla Sammlung Verbund di Vienna, Galleria nazionale d`arte moderna, Rome (C)
VORREITERIN (FEMALE TRAILBLAZER), Gabriele Münter Preis 2010, Martin-Gropius-Bau, Berlin (C)
KÖRPERNAH (CLOSE TO THE BODY), Galerie Tammen, Berlin

2009
WACK! ART AND THE FEMINIST REVOLUTION, Vancouver Art Gallery, Vancouver (C)
ART VILNIUS`09, Lithuania; Giedre Bartelt Gallery, Berlin
PERFORMANCE // FRAME, Gallery Anita Beckers, Frankfurt

2008
WACK! ART AND THE FEMINIST REVOLUTION, P.S.1 MOMA – The Museum of Modern Art, New York (C)
PULSE ART FAIR, New York; Gallery Beckers, Frankfurt
ART CHICAGO, USA; Gallery Beckers, Frankfurt
ART AMSTERDAM, Netherlands; Gallery Merkle, Stuttgart (C)
EIN LEBEN LANG. (LIFELONG.) Neue Gesellschaft für Bildende Kunst, Berlin (C)
WACK! ART AND THE FEMINIST REVOLUTION, Vancouver Art Gallery, Vancouver, Canada (C)
FOTOGRAFIE AUS DER SAMMLUNG DEUTSCHE BANK (PHOTOGRAPHY FROM THE DEUTSCHE BANK COLLECTION), Europäischer Monat der Fotografie, Deutsche Bank, Berlin

2007
WACK! ART AND THE FEMINIST REVOLUTION, MOCA – The Museum of Contemporary Art, Los Angeles; National Museum of Women in the Arts, Washington D.C. (C)
30th ANNIVERSARY SHOW, Galeria Foto-Medium-Art Gallery, Cracow, Poland
LEIBHAFTIG – KÖRPER IN DER ZEITGENÖSSISCHEN KUNST (INCARNATE – THE BODY IN CONTEMPORARY ART), Städtische Galerie, Ravensburg; Kunstverein Konstanz (C)

2006
MEHR ALS DAS AUGE FASSEN KANN – Fotokunst aus der Sammlung Deutsche Bank (MORE THAN THE EYE CAN SEE – Photographic Art from the Deutsche Bank Collection), exhibition tour in seven Latin American museums: Monterrey, Mexico City, Bogota, Lima, Santiago de Chile, Sao Paulo and Buenos Aires (C)

2005
ART COLOGNE, Gallery Ulrike Buschlinger (C)

2004
ENTHÜLLT – Das Aktbild in der Fotokunst des 20. Jahrhunderts (UNVEILED – Nudes in the Art Photography of the 20th Century), Städtische Museen, Heilbronn (C)

2003
FRAUEN IM ORIENT– FRAUEN IM OKZIDENT (WOMEN IN THE ORIENT – WOMEN IN THE OCCIDENT), PrinzMaxPalais, Karlsruhe (C);
ALTERSKULTUR? Reflexionen-Zerrbilder-Visionen (CULTURE OF AGING? reflections-Distortions-Visions), Franckesche Stiftungen, Halle (C)
ART COLOGNE, Cologne; Gallery Ulrike Buschlinger, Wiesbaden (C)

2002
ALLER ANFANG – GEBURT (BIRTH – DIFFICULT BEGINNINGS), Österreichisches Museum für Volkskunde, Vienna (C)
MUSTER FRAU (EVERYWOMAN), Kunsthalle Darmstadt (C)
DAS ZWEITE GESICHT (THE SECOND FACE), Deutsches Museum, Munich (C)
CONSTRUCTING MEMORY AND SPACES: Fotokunst aus der späten 60er bis 80er Jahre (Photo Art from the Late 60s to the 80s), DG Bank collection, Fotografie Forum international, Frankfurt
AKT IN DER KUNST DES 20. JAHRHUNDERTS (THE NUDE IN 20th-CENTURY ART), Kunsthalle Emden (C)

2001
ARCO MADRID – Internationale Kunstmesse, Madrid; Galerie Oliver Schweden; ART FRANKFURT; Gallery Ulrike Buschlinger, Wiesbaden (C)

2000
KÖRPERLANDSCHAFTEN (BODY LANDSCAPES), Gallery Oliver Schweden, Munich
HOMMAGE AN GUTENBERG (TRIBUTE TO GUTENBERG), Gutenberg Pavillon, Mainz (C)
NEU IN DER GRAPHISCHEN SAMMLUNG I (NEW ADDITIONS TO THE GRAPHIC ART COLLECTION I), Hessisches Landesmuseum, Darmstadt (C)

1999
TIERISCHE WELTEN (THE WORLD OF ANIMALS), Ausstellungshallen Mathildenhöhe (C)
INTERNATIONAL ART FAIR, Santa Fe, NM; Gallery Oliver Schweden, Munich
IM SPIEGEL DER ZEIT. Portrait & Selbstportrait (IN THE MIRROR OF TIME. Portraits and Self-Portraits), Kunstverein Schloss Plön

1998
SHOT ME, Monique Goldstrom Gallery, New York
EISZEIT (ICE AGE), Beetz & Kemfert Kunstberatung, Eurotower, Frankfurt

1997
WOMEN – Body and Soul, Musée de la Civilisation, Québec, Canada (C)
DIE DARMSTÄDTER SEZESSION 1919-1997 (DARMSTADT ARTISTS’ ASSOCIATION, 1919-1997), Ausstellungshallen Mathildenhöhe, Darmstadt (C)
DIE DUNKLE KAMMER – Fotografie und Körper (THE DARK CHAMBER – Photography and the Body), Gallery Markus Richter, Potsdam
SIGNS OF AGE – Representing the older body, Contemporary Art Forum, Santa Barbara, CA (C)

1996
ART COLOGNE, Gallery Ulrike Buschlinger/Gallery Anita Beckers

1995
ART FRANKFURT, Gallery Ulrike Buschlinger/Gallery Anita Beckers
MANUAL DEVICES – Die Hand als Motiv in der zeitgenössischen Kunst (MANUAL DEVICES – The Hand as a Theme in Contemporary Art), Art Frankfurt (C)
MENSCHENBILD IN DER WERBUNG (THE HUMAN IMAGE IN ADVERTISING), Fototage Rheinland, Bonn (C)

1993
UNTER ANDEREN UMSTÄNDEN. Eine Ausstellung zur Geschichte der Abtreibung (IF THINGS HAD BEEN DIFFERENT. An Exhibition on the History of Abortion), Deutsches Hygiene-Museum, Dresden (C)

1991
WAS WAHRHEIT WÄRE, Fotomontage heute (WHAT THE TRUTH WOULD BE – Photo Collages Today), Gallery am Helsingforserplatz, Berlin
NEW SPACE OF PHOTOGRAPHY, 2nd East/West Photoconference, Wroclaw, Poland (C)

1990
1. INTERNATIONALE VIDEO-TAGE (1st INTERNATIONAL VIDEO FESTIVAL), Istanbul
DOCUMENT & INVENTION, Dallas Museum of Art; Moore College of Art and Design; Goldie Paley Gallery, Philadelphia; Burden Gallery; International Center of Photography, NYC; and Center for Exploratory and Perceptual Art, Buffalo, NY (C)
ART OF TODAY, International Fine Art, Budapest (C)

1989
35.INTERNATIONALE KURZFILMTAGE (35th INTERNATIONAL SHORT FILM FESTIVAL), Oberhausen (C)
DAS PHOTO ALS AUTONOMES BILD (THE PHOTO AS AN INDEPENDENT IMAGE), Kunsthalle, Bielefeld; Bayerische Akademie der Schönen Künste, Munich (C)
VILLA MASSIMO 1986-88, Sammlung Ludwig, Aachen (C)
DIE PHOTOGRAPHISCHE SAMMLUNG (THE PHOTOGRAPHIC COLLECTION), Schleswig-Holsteinisches Landesmuseum, Schloß Gottorf, Schleswig (C)

1988
AUGEN-BLICKE (MOMENTS), Stadt-Museum, Köln and Museum Villa Stuck, Munich (C)
FOTOVISION (PHOTO VISION), Sprengel Museum, Hanover; Kunstraum im Messepalast, Vienna; Museum für Gestaltung, Zurich (C)

1987
SELF – NEUE SELBSTBILDNISSE (SELF – NEW SELF-PORTRAITS), Frauen-Museum, Bonn (C)
INFERMENTAL VI, Vancouver, Canada

1986
EVA UND DIE ZUKUNFT (EVE AND THE FUTURE), Hamburger Kunsthalle (C)
INSTANT MEDIA, video exhibition, Goethe-Institut, Paris

1985
LES IMMATÈRIAUX, Centre Georges Pompidou, Paris (C)
DAS AKTFOTO (THE NUDE PHOTO), Museum des 20. Jahrhunderts, Vienna

1984
IM TOTEN WINKEL (BLIND SPOT), Kunsthaus und Kunstverein, Hamburg (C)
NACKT IN DER KUNST (NUDITY AND ART), Sprengel-Museum, Hanover (C)
KUNST UND MEDIEN (ART AND MEDIA), Staatliche Kunsthalle, Berlin (C)
VILLA MASSIMO, Kunstverein, Hanover (C)
UMGANG MIT DEM KÖRPER (FOCUS ON THE BODY), Gallery Barbara Gross, Bergen near Munich

1983
SPECULUM, Museum Weserburg, Bremen (C)
DEUTSCHER KÜNSTLERBUND (ASSOCIATION OF GERMAN ARTISTS), Martin-Gropius-Bau, Berlin (C)

1982
VIDEOKUNST IN DEUTSCHLAND 1963-82 (VIDEO ART IN GERMANY, 1963-82), Kölnischer Kunstverein, Cologne; Kunsthalle Hamburg; Badischer Kunstverein, Karlsruhe; Westfälischer Kunstverein, Münster; Städtische Galerie im Lenbachhaus, Munich; Kunsthalle Nürnberg, and Nationalgalerie, Berlin (C)
EXPERIMENTALFILM VON FRAUEN – gestern und heute (EXPERIMENTAL FILMS BY WOMEN – Past and Present), Frauenkino, Munich
DEUTSCHE RADIERER DER GEGENWART (GERMAN ETCHERS OF TODAY), Darmstädter Kunstverein (C)

1981
3. ERLANGER VIDEOTAGE (ERLANGEN VIDEO FESTIVAL), (C)

1980
KUNST HEUTE (ART TODAY), Hamburger Kunsthalle
GRAFIKEN aus der Bundesrepublik Deutschland (GRAPHIC ART from the Federal Republic of Germany), Havana, Cuba (C)
KÜNSTLERBÜCHER (ARTISTS’ BOOKS), Frankfurter Kunstverein und Metronom, Barcelona (C)
FRAUENBILDER (IMAGES OF WOMEN), Gallery Barbara Gross, Bergen near Munich (C)

1978
DAS BILD DES KÜNSTLERS – Selbstdarstellungen (IMAGE OF THE ARTIST – Self-Portraits), Hamburger Kunsthalle (C)
GRUPPE 7 (GROUP 7), Moderne Galerie. Saarland-Museum, Saarbrücken (C)

1977
FIGURA 2, Buchmesse, Leipzig (C)
SUBJEKT-MEDIUM-OBJEKT (SUBJECT-MEDIUM-OBJECT), Hessisches Landesmuseum, Darmstadt (C)

1976
PREMIO INTERNATIONALE, Biella, Italy (C)

1974
Palazzo Comunale, Milan, Italy

1975
FRANKFURTER KÜNSTLER (FRANKFURT ARTISTS), Musée des Beaux Arts, Lyon, France (C)
INTERNATIONALE GRAFIKBIENNALE (INTERNATIONAL GRAPHIC ARTS BIENNIAL), Ljubljana, Yugoslavia (C)

1973
KUNSTSZENE FRANKFURT (FRANKFURT ART SCENE), Frankfurter Kunstverein

1970
HANDZEICHNUNGEN – AKTUELL (CURRENT DRAWINGS), Kunsthaus, Hamburg

(c) = Exhibition Catalog

2022
Mit mir SELBST 1975#2022, March 17th 2022, Museo de la Memoria y los Derechos Humanos, Santiago, CL

2011
Re-Enactment VER-BINDUNGEN (TIES) on July 24, FKN Nürtingen

2003
N.Y. FACES on May 23 at the Hessisches Landesmuseum, Darmstadt and on November 12 at the Hessisches Staatsarchiv, Darmstadt

2002
Hexenbrunnen (Witches’ fountain – with ten women), April 6 2002, Civitella d’Agliano, Italy

2001
MutterTochter (MotherDaughter), on June 15 at the Alte Oper in Frankfurt

1997
Zungenperformance (Tongue Performance), International Summer Academy, Salzburg, Austria

1994
Heilung (Healing) with daughter and son, on June 10 at the Städtische Galerie am Markt, Schwäbisch Hall

1986
Ich bin eine Agave (I am an Agave), Villa Massimo, Rome

1979
LOS-LÖSUNG (LETTING GO) with Inge Rumey, on November 24 at the Art Festival at Gedok, Kiel

1977/83
VER-BINDUNGEN (TIES) at the Galerie Patio, Frankfurt, on April 22 1977; ART COLOGNE on October 26, 1977; Saarland-Museum, Moderne Galerie, Saarbrücken on March 2 1978; Stadthalle Marburg on March 3 1979; Art-Actions at ART Basel on June 16, 1979; Galerie Alain Oudin, Paris on March 10 1983

1976
Be-Ziehungen – mit-gegen-für-ein-ander – durch Ver-Bindungen (The pull of relationships – with-against-for-one-another – through ties that can be experienced by the body), on May 19 at the Heidelberger Kunstverein

1975/76
permanente demonstration (permanent demonstration) – States of consciousness arising from touching lines drawn in the room, on bodies and skin, in December 1975 and on January 17 – 24 1976 at the Galerie Kunstwerkstatt, Darmstadt

1971
Holzfiguren in Konfrontation – Wooden figures confronting the theater audience, on March 20 and 21 in the foyer of the Hamburger Schauspielhaus

Works in Public Collection

Centro de Arte Contemporanea Inhotim, BRA
Staatliche Kunsthalle Karlsruhe
Kunstmuseum Mülheim a.d. Ruhr
Victoria and Albert Museum, London UK
The Metropolitan Museum of Art, New York, USA
The National Gallery, Washington DC, USA
The Morgan Library, New York, USA
Museum of Modern Art, New York, USA
The Collection of Marguerite Steed Hoffman, Dallas, Texas, USA
Scottish National Gallery of Modern Art, Edinburgh, UK
Centre Pompidou, Paris, FR
Los Angeles County Museum of Art (Sir Mark Fehrs Haukohl Photography Collection), Los Angeles, USA
Louisiana Museum of Modern Art, Humlebæk, DK
McEvoy Foundation for the Arts, San Francisco, USA
Landesmuseum Oldenburg, Oldenburg
Kunsthalle Bremen
Fraunhofer Institut, Darmstadt
Polizeipräsidium, Darmstadt
Hessisches Landesmuseum, Darmstadt
City art collection, Darmstadt
City art collection, Frankfurt
Deutsche Bank collection, Frankfurt
Museum für Kunst und Gewerbe, Hamburg
Hamburger Kunsthalle, Hamburg
Kunsthalle zu Kiel
City art collection, Leinfelden
International Art Collection Junij, Architekturni Muzej, Ljubljana, Slovenia
Wilhelm-Hack-Museum, Ludwigshafen
City art collection, Mainz
Kulturreferat of the city of Munich
City art collection, Rüsselsheim
Video art collection of the city of Salzgitter
Schleswig-Holsteinisches Landesmuseum, Schloß Gottorf, Schleswig
City art collection, Schwäbisch Hall
Staatsgalerie, Stuttgart
Graphic art collection of the Universität Trier
Museum des 20. Jahrhunderts, Vienna
Kunsthalle Wilhelmshaven
City art collection, Wolfsburg
Städtische Kunsthalle, Mannheim
DZ Bank collection, Frankfurt
VERBUND collection, Vienna
Hochheimer Artcollection, Hochheim am Main
Museum of Fine Arts, Boston, USA
Museum Montanelli, Prague, Czech Republic
Collezione La Gaia, Busca CN, Italy
ICP – International Center of Photography, New York, USA
Lenbachhaus, München
Kunsthalle Karlsruhe, Karlsruhe

Public Archives
ARTPOOL, Budapest, HU
Archive Artist Publications, Munich
Archiv der Akademie der Künste, Berlin
(Verein der Berliner Künstlerinnen 1867 e. V. – VdBK)
DIE SAMMLUNG KÜNSTLERINNEN, Kunst- und Museumsbibliothek, Dokumentationszentrum Kunst Köln

FrauenMediaTurm, Feministisches Archiv, Cologne
Hessisches Staatsarchiv, Darmstadt
Kunstarchiv, Darmstadt
Mediathek ZKM, Karlsruhe
PERFORMISTANBUL, Istanbul, Turkey
Stadtarchiv, Leinfelden-Echterdingen
ZEPHYR l Reiss-Engelhorn Museen, Mannheim (Deutsche Fotografische Akademie)

Stephan Mann (ed.): Vatersuche. Text: Francesco Colli, edition clandestin, Biel 2024

Kaj Häuser: Annegret Soltaus Werkkorpus ab 1977, Ludwig-Maximilians-Universität München, Munich, 2024

Marie Lucas: Les corps filés d’Annegret Soltau, Panthéon Sorbonne, Université, Paris FR, 2022-2023

Ece Merve Terzi: [re-]construct. The Creation and Purpose of Negative Space in Contemporary Photo-Collage, with a focus on the work of Annegret Soltau. Thesis. University Berlin, 2018

Anita Beckers Galerie (Hrsg.): KörperSPRACHE. Text: Francesco Colli. Frankfurt a.M. 2021

Baldur Greiner. ANNEGRET SOLTAU: I WAS ON A QUEST (in English), Weststadt Verlag, Darmstadt 2018

Annegret Soltau. ICH SELBST (MYSELF), German/English, Justus von Liebig Verlag, Darmstadt 2015

Annegret Soltau. ICH WAR TOTAL SUCHEND.The biography of the artist Annegret Soltau from Baldur Greiner (in German). Weststadt Verlag, Darmstadt 2013

Sarah Bruynoghe. DIE VERNÄHUNG DES SELBST. Zelfrepresentatie in het oeuvre van Annegret Soltau. Master Thesis, University of Gent, Belgium 2012

Martina Ohrt. ANNEGRET SOLTAU – DER FADEN – EINE BIOGRAFIE (ANNEGRET SOLTAU – THE THREAD – A BIOGRAPHY). Thesis for a university degree, Fachhochschule Ottersberg 2011

Annegret Soltau. SELF PERFORMING 1973 – 2010. Galerie Merkle, Stuttgart 2010

Julia Gock. WERKSTATT UND KOMPETENZ – ANNEGRET SOLTAU UND GORDON MATTA -CLARK ALS AUSGANGSPUNKT FOTOGRAFISCHEN ARBEITENS MIT KINDERN (EXPERTISE IN THE WORKSHOP – ANNEGRET SOLTAU AND GORDON MATTA-CLARK AS A POINT OF DEPARTURE FOR PHOTOGRAPHY WITH CHILDREN). Thesis for a university degree, University of Würzburg 2010

Bruno Struif. (Publisher) PERSONAL IDENTITY. Fraunhofer Institut. Darmstadt 2007

Kathrin Schmidt. (Publisher) ANNEGRET SOLTAU – ich selbst (ANNEGRET SOLTAU – myself). Institut Mathildenhöhe, Darmstadt 2006

Annegret Soltau/Karin Struck. ANNÄHERUNGEN AN INGEBORG BACHMANN (APPROACHES TO INGEBORG BACHMANN). Gesellschaft Hessischer Literaturfreunde. Justus Liebig Verlag Darmstadt 2003

Annegret Soltau. MUTIERE ICH ODER VERWANDLE ICH MICH? (METAMORPHOSIS OR MUTATION?) Hessisches Landesmuseum, Darmstadt 2000

Annegret Soltau. FEMALE GENEALOGY. New York 1999/2000

Tatjana Hally. ASPEKTE FEMINISTISCHER KUNST UND KUNSTTHEORIE – AUFGEZEIGT AM WERK ANNEGRET SOLTAUS (ANNEGRET SOLTAU’S WORK IN THE CONTEXT OF FEMINIST ART AND THE THEORY OF ART). Thesis for a university degree, J. W. Goethe Universität, Frankfurt 1998

Annegret Soltau. AUSGRENZUNG DER FRAUEN IN DER KUNST – AM BEISPIEL ANNEGRET SOLTAU (ANNEGRET SOLTAU: AN EXAMPLE OF WOMEN’S EXCLUSION FROM THE ART WORLD). Darmstädter Dokumente No. 2. Darmstadt 1997

Annegret Soltau. PUBERTÄT (PUBERTY – PICTURES). Fotohof edition. Salzburg 1997

Christel Michael. ANNEGRET SOLTAU: FOTOVERNÄHUNGEN. „GENERATIVE“ UND KUNSTHISTORISCHE ASPEKTE (ANNEGRET SOLTAU: PHOTO RESTITCHINGS. “GENERATIVE” IN THE CONTEXT OF ART HISTORY). Thesis for a university degree. Universität Lüneburg 1997

Annegret Soltau. VON INNEN NACH AUSSEN (FROM WITHIN TO WITHOUT). Merck edition. Darmstadt 1996

Annegret Soltau. ZEITERFAHRUNG (EXPERIENCING TIME). Hessisches Landesmuseum. Darmstadt 1994

Annegret Soltau. SELBST (SELF). Dortmund 1994

Annegret Soltau. HEILUNG (HEALING). Schwäbisch Hall 1994

Martina Mouchot. DIE KÜNSTLERIN ANNEGRET SOLTAU (THE ARTIST ANNEGRET SOLTAU). Thesis for a university degree. J.-W. Goethe Universität. Frankfurt 1991

Annegret Soltau. FRAGMENTE DES ICHS (FRAGMENTS OF THE SELF). Mainz 1991

Annegret Soltau. RÖMISCHES TAGEBUCH (ROMAN DIARY). Darmstädter Echo 1986/87

Annegret Soltau. LEBENSZEICHEN (SIGNS OF LIFE). Heidelberger. Kunstverein 1983
Annegret Soltau. SCHWANGER (PREGNANT). Frankfurter Kunstverein 1983

Annegret Soltau. SCHWANGER-SEIN (BEING PREGNANT). Darmstadt 1983

Annegret Soltau. MUTTER-DA-SEIN (BEING MOTHER). Darmstadt 1982

Annegret Soltau. GEBÄREN-MÜSSEN (HAVING TO GIVE BIRTH). Darmstadt 1982

Annegret Soltau/Bernadette Baumann. BEGEGNUNG (ENCOUNTER). Michael Stühr edition. Darmstadt 1980

Annegret Soltau. ZUSTÄNDE (STATES OF BEING). Darmstadt 1979

Annegret Soltau. SCHWANGER (PREGNANT). Darmstadt 1978

Annegret Soltau. DER VERSCHNÜRTE MENSCH (HUMAN WRAPPED IN THREAD). Darmstadt 1979

Annegret Soltau. KONZEPTE UND TEXTE ZU AKTIONEN (DESCRIPTIONS OF PERFORMANCES). Darmstadt 1977

Sabine Kampmann: Great Mother Artists?, Kunstforum International, No. 295, Cologne 2024

Nina Mdivani: On a Few Aspects of Contemporary Self-Portraiture, JANE Magazine, Australia 2023

Jessica Fritz (Ed.): Laboratorio Experimental de prácticas feministas, Santiago de Chile, Chile 2023

Phillip Prodger. An Alternative History of Photography, Prestel Munich, Germany 2023

Lívia Nolasco-Rózsás & Marianne Schädler: Beyond Matter, Within Space: Curatorial and Art Mediation Techniques on the Verge of Virtual Reality, Hatje Cantz Berlin, Germany 2023

Johannes Lothar Schröder: abhängen; Bilder und Gefühle verwerfen, ConferencePoint Verlag, Germany 2022

Ilka Wonschik, Echos of Memory, Hentrich und Hentrich Verlag Berlin, Germany 2022

„überMut – Journal nicht nur für evangelische Frauen“, Ausgabe 3 | 2022 / Evangelische Frauen in Hessen und Nassau e. V., Germany 2022

Das Magazin für evangelische Pfarrer:innen, Hessisches Pfarrblatt, 62. 5/22, Germany 2022

ENTREVISTA LA ARTISTA ANNEGRET SOLTAU – LF Magazine, Barcelona, Spain 2022

The Guardian News, UK 2022

Gabriele Schor: Une Avant-Garde Féministe, Collection Verbund. Delpire & Co, Paris, France 2022

Feminist Avant-Garde of the 1970s, Muzej Savremene, Novi Sad, Serbia 2022

CUERPO. LF Magazine, N12, Barcelona, Spain 2022

Nouvelles Questions Féministes, Antipodes 41/1, Lausanne/Schweiz 2022

Nina Mdivani: My Direct Self-Portrayal Was Considered Offensive: Interview with Annegret Soltau. Whitehot Magazine, New York 2/2022

Lucas Crawford: Gender and Sexuality. The Architectural Review, July/August 2021, London UK

Nicole Berner/Lena Marie Staab: Collage Now. Kunst + Unterricht Heft 451/452, Friedrich Verlag, Hannover 2021

Marie Laurberg/Kirsten Degel: MOTHER! Origin of Life, Narayana Press, 2021

Francesco Colli: Körperlandschaften. ARTMAPP Magazin, April/Juni 2021

Dagmar Hirschfelder/Frieder Hepp: FRAUENKÖRPER, Michael Imhof Verlag, Petersberg, Germany 2021

Lucas Crawford. Transformations, The Architectural Review, London, UK, 8/2021

Sabine Kampmann/Torsten Obrist: NÄHE. berühren–spüren–verführen. Kerber Verlag, Bielefeld/Berlin, Germany, 2021

Nicole Berner/Lena Marie Staab: Collage-Zeitgenössische Positionen, Kunst+Unterricht Heft 451/452, Friedrich Verlag, Hannover, Germany, 2021

THE BODY AS MATERIAL An Interview with Annegret Soltau, TREBUCHET Magazine, London, UK, 27/02/2021

SHE PERFORMS – Online Magazine, Berlin, Germany, 2/2021

Johannes Lothar Schröder. SCRATCHED CINEMATOGRAHPHY by Annegret Soltau, Owl Performance Art, Hamburg, Germany, 2021

Janine Mackenroth/Bianca Kennedy (Hrsg.) I LOVE WOMEN IN ART. www.100womenartists.com, 2020

Anne Esser. Naht und Narben – Annegret Soltau. Kunst+Unterricht, Friedrich Verlag, Hannover, Germany, 2020

Jerzy Olek. Not only on Photography. Universites publisher, Kraków, PL, 2020

Stéphane Blanquet. La Tranchée Racine hebdomadaire 03, Paris, France, 2020

injection London, UK, 12/2020

other writers need to concentrate Leipzig, Germany, 12/2020

Elles PARIS PHOTO Magazine Paris, France, 11/2020

Publication Haaretz Magazine Annegret Soltau’s work and instagram account, Tel Aviv, Israel, 11/2020

Emily Rose Larsen: THE FEMALE GAZE: PART TWO, Foto Femme United Magazine, Paris, France, May 07, 2020

Sara Jaspan: Annegret Soltau’s exhibition Spider at Richard Saltoun. The Fourdrinier Magazine, London, UK, 05/2020

Cherie Silver finds out about the artist’s determined, experimental and investigative approach to art and identity. Interview with Annegret Soltau. Mayfair Art Weekend London, UK, 02/2020

Chiara Marino & Megan McCann. Richard Saltoun Gallery Review January-June, London UK, 2020

Sabine Kampmann. Bilder des Alterns – Greise Körper in Kunst und visueller Kultur, Dietrich Reimer Verlag, Berlin, Germany 2020

Patrick Elliott: CUT AND PASTE – 400 Years of Collage. National Galleries of Scotland, Edinburgh, UK 2019

Lara Demori. Corporeal Identities, Maternal Artivism, Philadelphia Museum of Art, USA, 2019

Johanna Schwanberg. Family Matters. Dom Museum Vienna, Austria, 2019

William Davie. Annegret Soltau: A Different Kind of Role Model. Ambit Magazine London, UK, 5/2019

Rebeka Elizegi. Collage by Women / Collage firmado por mujeres: Promopress Editions, Spain, 2019

The Frankenstein Issue. Loom_est Magazine, Italy, 03/2018

Róisin McQueirns. Richard Saltoun Gallery Review July-December, London, UK, 2018

Laura Bernhard. Arts & Emancipation, Paragone, France, 12/2018

Park Jisoo. Annegret Soltau: Personal Identity, VOSTOK Photography Magazine, Vol.8, Seoul, Korea, 2018

Women in Art History. Frieze Magazine, London, UK, 09/2018

Róisin McQueirns. Radical Feminism, Richard Saltoun Gallery, London, UK, 2017

Naiara Valdano. Entrevista a Annegret Soltau, LAS HILANDERAS Magazine, Spain, 2017

Gabriele Schor. Feminist Avantgarde – Art of the 1970s, Prestel, 2016

Chiara Manzoni/Annegret Soltau. RedMilk Magazine, December 1, Milan, Italy, 2016

MOCAK. Museum of Contemporary Art. Medicine in Art. Kraków, PL, 2016

Laura Leuzzi. EWVA European Women’s Video Art, UK, 2016

Kristin Prim. The Mysticism of the Female. “A23 Vol. 1”, New York, 2015

MOCAK. Museum of Contemporary Art. Gender in Art. Kraków, PL, 2015

Natalie Lettner. Bild des Bösen? Teufel, Schlange und Monster in der zeitgenössischen Kunst. (Image of Evil? The devil, snakes and monsters in contemporary art). Transcript Verlag, Bielefeld, 2015

Andreas Broeckmann/Yuk Hui (Hrsg.). 30 Years after LES IMMATÉRIAUX. Meson Press, Leuphana University, Lüneburg, 2015

Charmaine Li. Striking Embroidered Self-Portraits by Annegret Soltau. IGNANT Magazine, Oct 06, 2015

Tamara Akcay. Annegret Soltau Creates Delicate Line Drawings On Her Face With Thread. Beautiful/Decay Magazine, Sept 2015

Maria Mercromina. Cuando el cuerpo se rehace a base de puntadas. Gonzoo Magazine, Jun 12, Spain, 2015

Isabel Killoran. Mutations and Mutilations. Daily METAL Magazine April 27, Barcelona, Spain, 2015

Gabriele Schor. FEMINISTISCHE AVANTGARDE. (The Feminist Avant-Garde of the 1970s. Works from the SAMMLUNG VERBUND). Prestel, Munich. London. New York, 2015

Heather Hanna. Women Framing Hair: Serial Strategies in Contemporary Art. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, 2015

Gabriele Schor. WOMAN. Bozarbooks, Brussels, Belgium, 2014

Verena Borgmann, Frank Laukötter.( Hrsg.) SIE.SELBST.NACKT. (SHE.SELF.NUDE.) Paula Modersohn-Becker und andere Künstlerinnen im Selbstakt. Hatje Cantz Verlag, Ostfildern, Germany, 2013

Haleh Heydari Asil. IDENTITY. Haleh Gallery, Spring/Summer, 2013

William Davie. TIME EXPERIENCE. Aesthetica Magazine, 2013

Johannes Lothar Schröder. Parzelliert und gestickt. (Torn apart and stitched together). Owl Performance Art. Hamburg, 2013

Carolina Gestri. Interview: Annegret Soltau. REYKJAVIK BOULEVARD. Reykjavik, Island, 2013

Magdalena Gföllner: Strategien der weiblichen Ästhetik, Karl-Franzens-Universität, Graz, 2013

Heather Hanna: Annegret Soltau: Binding, Stitching, and the Haptic Thread. EYEMAZING, Amsterdam NL, Winter issue, 2012/ 2013

Franziska Nori/Barbara Dawson (Hrsg.): Francis Bacon and the Existential Condition in Contemporary Art. Hatje Cantz Verlag, Ostfildern, 2012

Giorgio Bonomi: The solitary body. The self portrait in contemporary photography. Rubbettino Editore, 2012

Heather Hanna. A Visual Essay: Interventions and Manipulations in the Maternal. Studies in the Maternal, MaMSIE- Online Journal, University of London, 2012

Mona Körte. Gesicht im Porträt / Porträt ohne Gesicht. Gesichts(aus)schnitte. Teile vom Ganzen.(Portrait of a Face / Faceless Portrait. The Face as a Collage. Parts of a Whole). Kunstforum international (International Art Magazin), Vol. 216, Juli-August, 2012

Heather Hanna. Women Framing Hair: Serial Strategies in Contemporary Art. Thesis. PhD Open University, Milton Keynes, UK, 2011

Jutta von Zitzewitz. This needle, the stitch that you feel inside. The artist Annegret Soltau, DB- ArtMag, Online-Magazin No. 63/2010

Jerzy Olek. Media Sztuki-Annegret Soltau. Magazin Artluk No. 03/2010, Warsaw

Sabine Kampmann. Arbeit am Generationsgefüge. Die fotografischen Körper der Annegret Soltau. In: Sabine Mehlmann, Sigrid Ruby (Hrsg). Für Dein Alter siehst Du gut aus. (Work on the Generational Structure. Annegret Soltau’s Photographs of Bodies. From: Sabine Mehlmann, Sigrid Ruby (Publisher). You Look Good For Your Age). Transcript Verlag, Bielefeld, 2010

Gabriele Schor. DONNA: Avanguardia Femminista negli anni `70 dalla Sammlung di Vienna. Mondadori Electa S.p.A., Milan, 2010

Oriana Fox. Once more with feeling. History of feminist performances. Tate Modern, London, 2009

Claire Simard. Touring Through 20 Years at Musée de La civilisation. Édition Fides, Canada, 2009

William Ganis. String Theory: Annegret Soltau`s Transitional, Fetishistic Photocollages, Afterimages – The Journal of Media Arts and Cultural Criticism, New York, 2/2009

Karlis Verpe. Fotosape. Par vacu makslinieces Annegretes Soltavas sasutajam fotografijam. Foto Kvartals, Riga, Latvia, 1/2009

Ute Karen Seggelke. 60 Jahre und ein bisschen weiser. 21 Frauen erzählen (Sixty and a Bit Wiser. Twenty-one Women Tell Their Stories). Gerstenberg Verlag. Hildesheim, 2008

Antonia Wunderlich. Der Philosoph und das Museum. Die Ausstellung Les Immatériaux von Jean-Francois Lyotard (The Philosopher and the Museum. The Les Immatériaux Exhibition by Jean-Francois Lyotard). Transcript Verlag. Bielefeld, 2008

NGBK Berlin/Kunsthaus Dresden. Die Kunst des Alterns (The Art of Aging). Berlin/Dresden, 2008

Kathryn A. Wat. Women in the Arts. The National Museum of Women in the Arts, Washington D.C., Fall 2007

Stefanie Dathe. Leibhaftig – Körper in der zeitgenössischen Kunst (Incarnate – The Body in Contemporary Art), Städtische Galerie Ravensburg, 2007

Cornelia Butler/Lisa Gabrielle Mark. WACK! Art and the Feminist Revolution. The MIT Press, Cambridge, Massachusetts, 2007

Caroline Liebling. Du baiser au bebe. Foundation Claude Verdan. Lausanne, 2006

Charlotte Martin. ….denn Kunst meint ja immer ein Sich-Preisgeben – Drei Portraits (..Because Art Means Surrendering Oneself – Three Portraits). Justus von Liebig Verlag. Darmstadt, 2006

Enno Kaufhold. Annegret Soltau: Das Individuelle in der Zeit. Annäherungen an ihren Personalstil. Dokumentation des Symposiums der Tage der Fotografie (Annegret Soltau: The Individual Within Time. Approaches to Her Personal Style. Documentation of the Photography Festival Symposium). Darmstadt, 2006

Fritz Franz Vogel. The Cindy Shermans: inszenierte Identitäten. Fotogeschichten von 1840 bis 2005 (The Cindy Shermans: Created Identities. Photographic History from 1840 to 2005), Böhlau-Verlag Cologne/Weimar/Vienna, 2006

Friedhelm Hütte/Christina März. Mehr als das Auge fassen kann – Fotokunst aus der Sammlung Deutsche Bank (More than the Eye Can See – Photographic Art from the Deutsche Bank Collection). Frankfurt, 2006

Norbert Schütz/Manfred Blohm. Die Kunst. Der Körper. Das Textile (Art. The Body. Textiles), Salon-Verlag, Cologne, 2005

Marc Gundel. (Publisher) Enthüllt. Das Aktbild in der Fotokunst des 20. Jahrhunderts (Unveiled. Nudes in the Art Photography of the 20th Century). Braus edition, Heidelberg, 2004

Udo Kultermann. The Body of Woman: Female Pioneers of Performance Art. kunst.ee, Tallinn, Estonia, 2003

Christa Hartnigk-Kümmel. Frauen im Orient – Frauen im Okzident (Women in the Orient – Women in the Occident). Gedok Karlsruhe, 2003

Thomas Richter. !Alterskultur? Reflexionen-Zerrbilder-Visionen (!Culture of Aging? Reflections-Distortions-Visions). Verlag der Franckeschen Stiftungen zu Halle, 2003

Tobias Hering. ZeitErfahrung (Experiencing Time). FREEYE – Magazin No. 02. Amsterdam, 2003

Enno Kaufhold. Genähte Wahrheiten (Stitched Truths). PHOTONEWS No. 2. Hamburg, 2003

Nils Ohlsen. Der Akt in der Kunst des 20. Jahrhunderts (The Nude in the Art of the 20th Century). Wienand Verlag, Cologne, 2002

Cornelia Kemp. Das zweite Gesicht (The Second Face). Prestel-Verlag, Munich, 2002

Gudrun Jäger. Flickwerk (Patchwork). Emma No. 6/Cologne, 2000

Andrea Limberg. Das Bild der Frau im Oeuvre aktueller Künstlerinnen – Cindy Sherman/Annegret Soltau (The Image of Women in the Work of Current Women Artists – Cindy Sherman and Annegret Soltau), University, Cologne, 1999

Judith Jeromene/Leslie Satin. (Publisher) Generativ (Generative). Women & Performance. Vol. 10, No. 2, New York, 1999

Edith Sauer-Polonik. Selbst im Bilde – Zur Eigenmodellnahme der zeitgenössischen Künstlerinnen Annegret Soltau, Cindy Sherman und Mary Kelly und deren Auswirkungen auf die visuelle Repräsentation weiblicher Identität (Representing Oneself – Self-Modeling in the Work of the Contemporary Artists Annegret Soltau, Cindy Sherman and Mary Kelly, and Their Effects on the Visual Representation of Female Identity). Doctoral thesis submitted to Ruprecht-Karls-University, Heidelberg, 1999

Gerrit Krüger. Darstellungen von Geburt in der Kunst des 20. Jahrhunderts am Beispiel von Werken Frida Kahlos, Niki de Saint Phalles und Annegret Soltau (Frida Kahlo, Niki de Saint Phalles and Annegret Soltau: Representations of Birth in the Art of the 20th Century), University, Gießen, 1998

Andrea Wuerth and Janice Monger. Reproducing Reproduction: Abortion Imagery in Recent Works of German Women Artists. German Politics and Society, Volume 15, Number 4, University of California, Berkeley, 1997

Musée de la Civilisation. (Publisher) Femmes, Corps et Ame. Québec, Canada, 1996

Armand Hammer Museum of Art. (Publisher) Sexual Politics. Los Angeles, 1996

Ursula Konnertz. Die Philosophin (The Woman Philosopher). Text by: Sidonia Blättler. diskord edition, Volume 13, Tübingen, 1996

J.Kirschenmann/F.Schulz. Praktiken der modernen Kunst (Practices of Modern Art). Klett-Verlag, Stuttgart/Leipzig, 1996

Ariane Grigoteit. Kunst in der Deutschen Bank Darmstadt (Art in the Darmstadt Branch of the Deutsche Bank). Frankfurt, 1996

Renate Möhrmann. Verklärt, verkitscht, vergessen. Die Mutter als ästhetische Figur (Idealized, Sentimentalized, Forgotten. Mothers as Aesthetic Figures). Metzler-Verlag, Stuttgart/Weimar, 1996

Margit Schmidt/Sabine Schütz. Selbstlaut – autobiographische Aspekte in der Kunst von Frauen (Singing Oneself – Autobiography in Women’s Art). Claus Richter Verlag, Cologne, 1993

Jane Kenny/Corin Bass. Beyond Chernobyl. Women respond. Envirobook, Sydney, Australia, 1993

Ulrike Brink. Das Problem der Selbstdarstellung in der künstlerischen Fotografie am Beispiel der Werke von Jürgen Klauke, Anna und Bernhard Blume und Annegret Soltau (The Work of Jürgen Klauke, Anna and Bernhard Blume and Annegret Soltau: The Problem of Self-Portraiture in Artistic Photography). Universität Hildesheim, 1993

Gisela Staupe/Lisa Vieth. (Publisher) Unter anderen Umständen – Zur Geschichte der Abtreibung (If Things Had Been Different – On the History of Abortion). Argon-Verlag, Berlin, 1993

Jutta Hülsewig-Johnen/Gottfried Jäger/J.A.Schmoll. Das Foto als autonomes Bild (The Photo as an Independent Image). Cantz edition, Stuttgart, 1989

Jörg Boström. Dokument und Erfindung (Document and Invention). Q edition, Berlin, 1989

Gottfried Jäger. Bildgebende Fotografie (Imaging Photography), Du-Mont Verlag, 1988

Christiane Vielhaber. (Publisher) Augen-Blicke (Moments), Vista-Point-Verlag, Cologne, 1988

Petra Olschewski. Frauenbilder (Images of Women), Stemmle edition, Verlag Photographie, Schaffhausen, 1987

Frauen Museum Bonn. (Publisher) Neue Selbstbildnisse (New Self-Portraits). Bonn, 1987

Ingeborg Ebeling. Frauen-Kunst. Sehweisen des Weiblichen (Women’s Art. Perceptions of the Feminine). Slide show, Cologne, 1987

Gislind Nabakowski. (Publisher) Video – 20 Jahre später, Kunstforum International (Video -20 Years Later, International Art Magazin), Vol. 77/78, 1985

Werner Hofmann. (Publisher) Eva und die Zukunft (Eve and the Future), Prestel-Verlag, München, 1986

Jean-Francois Lyotard. (Publisher) Les Immateriaux, Centre Pompidou, Paris, 1985

Ulrich Bischoff. (Publisher) 1984 – Im toten Winkel (1984 – Blind Spot), Kunstverein Hamburg, 1984

Staatliche Kunsthalle Berlin. (Publisher). Kunst und Medien (Art and Media), Publica-Verlag, Berlin, 1984

Udo Liebelt. Nackt in der Kunst (Nudity and Art), Sprengel-Museum, Hanover, 1984

Sigrid Feeser. Das Kunstwerk (The Work of Art, Magazin), 5/XXXVII, 1984

Gislind Nabakowski. Kunstforum International (International Art Magazin), Vol. 71/72, 1984

Ulrika Evers. Deutsche Künstlerinnen des 20. Jahrhunderts (German Women Artists of the 20th Century). Schultheis-Verlag, Hamburg, 1983

Wulf Herzogenrath. (Publisher), Videokunst in Deutschland 1963-82 (Video Art in Germany, 1963-82), Verlag Hatje, Stuttgart, 1983

Guiseppe Bonini. Progresso Fotografico, Milan, Italy, 3/1980

Siegmar Holsten. Das Bild des Künstlers – Selbstdarstellungen (Image of the Artist – Self-Portraits), Hans-Christians-Verlag, Hamburg, 1978

Georg F. Schwarzbauer. Kunstforum International (International Art Magazin), Vol. 24, 1977